Despite
its current popularity, Cajun music has evolved through some
lean years. Around the turn of the century Cajun
was a predominently fiddle based music played at house dances
(bals de maison) and fais-do-dos (named
for the seperate room where children could be rocked to sleep).
In the early 1900's, the diatonic accordian was
adopted and by the thirties the music began to move out
of homes and into dance halls and bars. |
Traditional
Cajun music suffered its first major blow at this time, when
popular swing and country styles heard on the
radio supplanted the older styles. The accordian was abandoned
in favor of electric and steel guitars. In the
late forties accordian-based music enjoyed a brief renaissance,
spurred by Cajun hero Iry Lejeune. The boom was short-lived,
however, as the banning of French in public schools, the oil
boom, and improved roads and communication |
began
to take a toll on traditional Cajun folkways. By the Eisenhower
era "Cajun" had become a mainly deprecatory
term and the music, like the Cajun-French languge, was shunned
by socially conscious Cajuns and non-Cajuns alike. The flowering
of Cajuns music since the sixties can be attributes
to many influences: folklorists who brought artists like Dewey
Balfa before a national audience, stubbornly indepedent Cajun
record men, the Council on Development of French
in Louisiana, and the musicians who never gave up. |
Due
to the efforts of these people, the music can now be heard
in a wide variety of styles and venues. Whether it is
fiddle and squeeze-box waltz, pounding piano-accordian rock,
or pedal-steel swing, Cajun music is still dance
music made by working people who play as hard as they labor. |
(Music
is loading... only takes 30 seconds on 56k modem) |
Cajun
Music
|
Justin Wilson |
The Cajun Band
|
D.L. Menard |
|
Taken from:
"Cajun Country Guide"
Macon Fry and Julie Posner